Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 274 | The prendimiento of the Brave one | Portrait of a Young Man | Stone with traces of Polychromy | The Little Parisienne |
Related Artists:
Cosme Tura
Italian Early Renaissance Painter, ca.1430-1495 Italian Renaissance artist. He was a leading master of the school of Ferrara and court painter to the city's ruling Este family. Often vividly emotional, Tura's figures range from the graceful to the grotesque, as in the gentle Mary and contorted Jesus of his c.1472 Pieta (Correr Museum, Venice). Combining material splendor with asceticism, his stylistically idiosyncratic paintings are frequently filled with sharply portrayed natural details??diversified landscapes, squirrels, monkeys, fruits, etc.??that serve as both plastic and iconographic elements. His works are executed in a harsh, nervously linear, and rather angular style, with bold and sometimes strident coloring. Examples of his art include two organ panels, Annunciation and St. George Slaying the Dragon (cathedral, Ferrara); Christ on the Cross (Milan); St. Jerome (National Gall., London); Portrait of a Man and Saints (National Gall. of Art, Washington, D.C.). Attributed to him is a portrait of a member of the Este family, The Flight into Egypt, and St. Louis of Toulouse
Ferdinand Victor Eugene Delacroix
Charenton Saint Maurice 1798-Paris 1863,was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish writer Sir Walter Scott, and the German writer Johann Wolfgang von Goethe. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on color and movement rather than clarity of outline and carefully modeled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic.Friend and spiritual heir to Theodore Gericault,
Louis XIV s